Showing posts with label Luminarte. Show all posts
Showing posts with label Luminarte. Show all posts

Saturday, July 9, 2022

Making My Own Shimmering Watercolour Paints & Why I am turning into a Smurf!


Watch How I Made Interference Watercolour


Summer is flying by at a rapid pace. Instead of painting with Watercolours like I was planning on doing, I seem to be procrastinating by stocking up watercolour supplies, creating new shimmer paints, organizing and reorganizing my paint palettes. I love being able to have moveable colour pans. And
our poppies

Don't ask me how many brushes, palettes and watercolour pads I have purchased. If Amazon only had a frequent shopper reward system. 

Make Your Own Paint

This is about how I learned to make my own shimmer paints using Interference and shimmery/mica type pigments. As well, you will also see my transformation to a Smurf!

Of course there are many tutorials on creating watercolour paints on your own. Google them. I just want to share how I did it with as little effort as possible, without mulling. How do we learn if we don't experiment and learn from others. 

The cool thing is, we can use pigments to create acrylic and oil and tempura etc. paints also. The key is all pigments need to be combined with the appropriate binder. If you want to make watercolour as in my case, you need Gum Arabic solution (more on that later). For Acrylic you can use and Acrylic gel medium, I would even mic pigment powder with anything like polyurethane, varnish, clear glues. Basically anything that can harden, cure or dry. Using pigments in resins are also used to paint with resin "paint." Then for oil paint, you can use oil binders (not an expert on oil), I think Linseed oil is part of that paint? But not sure.

I definitely use purchased paint whether watercolour or acrylic. It's just after watching others make paint and especially shimmer paints, I thought I can try that. Since I have a collection of mica type pigments, I was excited to not need to by shimmer/colour shifting paints.

Materials Used

πŸ’—Shimmery/Mica Interference (mermaid) And Colour Shifting Pigment Powders

Binder ingredients

πŸ’—I also used a ready made Gum Arabic binder

πŸ’—Gum Arabic (I used it in powder form)

πŸ’—Vegetable Glycerin

πŸ’—Honey (tried some but decided it made the binder too sticky)

πŸ’—Clove oil (as a preservative for the binder that must be refrigerated)

Tools


πŸ’—
A glass or ceramic tile

πŸ’—palette knife

πŸ’—a glass jar with lid

πŸ’—Paper towels

πŸ’—spray bottle of water

πŸ’—test paper in white and dark or black for testing paint

πŸ’—paintbrush

πŸ’—water jar for washing brushes

Watch the video to see how I started mixing pigment powder with the binder. Unfortunately, the camera overheated because it was too hot outside so I didn't complete the mixing process. Adding the binder in a bit at a time, waiting for the mixture to be like a watered down toothpaste sort of. Or kind of like Cheez whiz or sour cream, a combination between Greek and regular yoghurt texture. You can tell I like food by all the food references.πŸ˜‹ And then just make sure I was mixing and pressing down with the pallet knife as much as possible. Even if you think it's just mixed, there can still be unsaturated pigment particles. The more you mix, press, smoosh the powder with the binder, the better the paint will dry and be pretty darn good to use on paper.

Here are the half pan size paint pans

Once I am satisfied at the consistency of the pigment mixture I'd test out the mixture with a wet paintbrush on paper. With interference colours using black paper is the only thing that really works because you can't see the colour otherwise. I just like to make sure it's combined enough to create somewhat of a smooth paint. It's amazing how quickly the Arabic gum binder dries or cure's. Then I scrape it up with the pallet knife and drop it into a half or full watercolour paint pans.

Then let the paint basically dry out or harden. It's important to keep the lid off to let it harden. There's going to be mistakes made, and some paints may end up too wet and never really harden. You can still use them. But that's how we learn lessons. If you want to do the exact correct way to make watercolour paint using real authentic pigments and even the shimmer colour shifting pigment powders that I've used, then definitely check out the video about mowing below to see how it's done. And definitely check out lots of videos, to learn more about this process.

Please note: I do not use the proper technique for making watercolour paint simply because physically, I cannot use a device like a muller. Due to my neuromuscular disability, my hands and arms are not strong enough to even lift that thing. I just wanted to show you how it does work to some degree if you're just using shimmery powders and a pallet knife. Some pigments work better than others. Definer the pigment powders the better it seems to go..

Mulling

glass muller

How to make paints out of pigment powders the truly correct way, involves something called mulling, using a Muller. Here is what mulling watercolour paint looks like with a video on YouTube Showing how to do it correctly here at PearFleur The muller is a weighty piece of glass.


Binders are needed for all types of paint. In watercolour Gum Arabic is used in combination with water, glycerine and some use honey instead or with glycerine. I learned after to heat up the water (some recipes said to) When I did, it smelled badly and eventually it got better. Just look for recipes Watercolour Binder or I also purchased gum Arabic all ready to be used as a watercolour binder. 

You enjoy this and try it out.

Tuesday, April 25, 2017

Polymer Clay Journey: Tips And About Primary Elements Pigment Powders


Primary Elements baked after powders were  mixed with a tad of moisture.
Hi guys! What have you been creating lately? Me? Well, always working on something when I can. Spent about five days recovering some illness, so my productivity was down - that always bums me out. But thank the Good Lord, I am back up to par and ready to get back to work. Keep in mind,
Primary Elements
creating for me is not "work," because I love it!
Primary Elements Pigment Powders - Surprise! 
Primary Elements before baking (I did sprinkle clear
embossing powder hoping to keep it sealed.)
If you are like me, you love adding or incorporating powders to polymer clay. Whether they are glimmer and shimmery like Mica powders or more pigmented powders like chalk pastel or Primary Elements, which are more of a shimmery mica but a pigment. I learned the difficult way that Primary elements can not really be used like Perfect Pearls. I added a colour to the back of a piece, baked it and when I went to glaze it or got it wet, a new colour appeared, it altered.
Primary Elements are beautiful, a little goes along way when added to a medium like water and arabic gum or a liquid polymer clay, or glaze. But, on their own, added to the surface of unbaked clay, they are unstable - meaning the colour can change if water hits, not to mention depending on the hue, the colour may alter to something you
didn't want. You may experience great disappointment when the surface treatment completely changes or seems to come off after baking. Where as mica powders and chalks, don't generally wash off. They adhere to the surface quite well. It may help to seal them in if you don't want any wear off, if it is a jewellery piece.
How Can I Use Them Then?
These can be used in teeny amounts to make paint. Just add a bit to water and you will have shimmery colour to spray on paper or evenly. Let it dry, but, it still might rub off, especially once the clay is baked. But apparently adding some Arabic Gum to the water, binds it together. I am not sure if it will then stand up to Polymer clay.
As well you can have great fun, mixing it into gel mediums or glazes. They act as a binder and will stay on the surface you put it on, including already baked clay. I wouldn't use colour glaze or medium
on raw clay. But you can experiment!
Swatch Out Colours
 I wanted to show you how I rolled out back clay and in some cases, I used white too. You may already know that depending on the colour of the clay, the pigment and mica will have varying results. So it is worth swatch out both colours.
Using rubber letter stamps, I stamped the name of the colour into the wet clay. Cutting the sheet into sort of rectangles. Added the Primary Elements Powdered Pigment that is also mixed with mica shimmer powders. Then to get the true colour, I delicately added a bit of water and just used my fingers to mix it on the surface. Wanting it to not rub off, I sprinkled clear embossing powder on the surface. That s why a couple pics look like they have course sea salt on them!
Fired the clay at the Premo Temperature of 275F. You can use the swatches as a colour reference, attach them into a notebook or throw them into a baggie. I am not super organized :o)
Have fun, experimenting. 
Note:
These Pigments are intense and therefore, will seriously stain fingers. You can purchase finger cots, or cut the fingers off of latex gloves (same thing), or thanks to Val Evans from the Unruly Housewife, you can wrap your finger in cling film.

Have fun! Experiment! Even making colour swatches is mega fun!

Baked on Primary Elements (remember with a sprinkling of clear embossing powder to seal it from making a mess)
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